HARMON-MEEK GALLERY
Established in Naples, Florida in 1964
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Harmon-Meek Gallery
599 Ninth Street North
Suite 309
Naples, Florida 34102
Phone (239) 261-2637

Milton Hebald
(b. 1917)
Milton Hebald


click here for larger view
Capriccio, ed. 6, 1988,
Bronze, 6'x5'x5'
While notably a New Yorker, the past fifty years Hebald has lived and worked near Rome, in Bracciano, Italy since winning the Prix de Rome at the American Academy in Rome in 1953. His first shows of wood and plaster figurative works was in 1938 in New York City at the ACA Galleries. He has been represented by the Harmon-Meek Gallery since 1969 and has had eight solo exhibitions since 1978.

In 1961 Pan Am commissioned Hebald to create a “Zodiac Screen” for their new terminal at Kennedy Airport, which at 220’ was the largest sculpture in the world. The twelve large bronzes are currently owned by the New York Transit Authority awaiting use on a future building of their choice. His 7 ½’ “Romeo & Juliet” bronze stands in front of the Delacourt Shakespeare Theatre in New York’s Central Park along with another of his larger bronzes “The Tempest”. Other casts (of six) of “Romeo & Juliet” are in front of Barbara B. Mann Concert Hall in Ft. Myers, FL, and the Philharmonic Center for the Arts/Naples Museum of Art, in FL.

Another famous Hebald bronze “Dancing Family” (ed.of 6) is owned and in front of the Hyde Collection in Lake George, NY; Dellora Norris Arts Center in St. Charles,IL; the Jewish Community Art Center in Rockville, MD; and the Children’s Zoo in Ft. Wayne, IN. Other museums which own works by Heabld include the Whitney; Tel Aviv Mus.- Israel;Vir.MFA; PA Aca. Of Fine Arts; Wustum Mus.-Racine,WI; Phila.Mus of Art;UCLA and thirty others around the world. in 1976

Milton Hebald has been working more in the terra cotta and wood medium during the past seven years as the cost of bronze has increased significantly. Nearly 80 of his works were stolen out of his studio in 2001 and the Italian Police and Interpol are still tracking leads. 

His style is contemporary baroque often using swirling articles of clothing or veils around nude male and female forms in repose, dancing, or embracing. Almost all of his bronzes have been created in editions of 10 or fewer.